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DANCE FILMS AND DANCE FOR CAMERA PROJECTS
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| 2009 |
Links from SALT, 3:30 min. stand alone Dance for Camera video in collaboration with
Carmella Vassor-Johnson
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| 2009 |
Salt, four (3 minute) dance for camera clips in collaboration with Carmella Vassor-Johnson
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| 2006 |
The Hans Project Video excerpt (one minute) in collaboration with Stan Sadowski
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| 2006 |
A Retrospective, an overview of 20 years of dancemaking,(8 minutes) in collaboration with Stan Sadowski
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| 2004 |
Three Ladies in Waiting (4 minutes video excerpts) in conjunction with site work) in collboration with Carmella-Vassor Johnson
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| 2003 |
Citrus Limon (4 minutes) in collaboration with Carmella Vassor-Johnson at The School for Jacob’s Pillow choreography for the Screen Program.
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| 2001 |
The Kitchen Dance (3 minutes) in collaboration with Carmella Vassor-Johnson during an artist in residence at The Yard, Chilmark, MA
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| 1993 |
Creativity Comcast Documentary 30 minute documentary on Ms. Mulgrew’s work
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| 1992 |
The Tales of the Buffoon, (6 minutes), commissioned by WHYY Channel 12 TV and PEW
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WORKS CHOREOGRAPHED /RESTAGED FOR SCHOOLS/COLLEGES
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| 2001 |
Penn State University Abington Campus, 11 dancers, 5minutes, commenting on 911
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| 1999 |
Penn State University Abington Campus, E Pluribus Unum, 10 dancers, 5 minutes
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| 1997 |
Governor’s School of NJ, Strange Tongues-Jacket Dance, 6 dancers, 4 minutes
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| 1986 |
University of the Arts Modern Dance Co., Facing 9-5, 10 dancers, 20 minutes
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CHOREOGRAPHY FOR THEATER
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| 1995 |
Brick Street Playhouse, High Heel Feeling, a musical for 3 men in drag
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CHOREOGRAPHY FOR THE COMMUNITY
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| 2006 |
Peoplehood Parade and Pageant, two public works, 10 minutes, 12-15 performers
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Choreography List (2009-1982)
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| 2009 |
Salt, Part 2, 8 dancers, 38 minutes 3 dance sections & 5 video clips, music: Dolphina Dance Trance, Il Duetto Je Croise Entendre Encore from Les Pecheurs de Perles George Bizet/Eugene Cormon, Michel Carre, Vangelis Ignacio –video clips Tibetan Salt Fields, Surges, The Tasting , A Private Moment and Links created in collaboration with Carmella Vassor-Johnson. |
| 2008 |
Salt, 23 minutes, 5 dancers, music: Matt Haimovitz Trans, Prem Joshua Funky Guru, Elliot Sharp Twenty Below (excerpt), Rick Wakeman Seahorse, Biddhu Orchestra Eastern Journey, Heiner Goebbels La Jalousie (excerpt) and live sound by A. Mulgrew |
| 2007 |
The Hidden River Project, 55 minutes, 19 performers, site-specific work, music: natural sounds and live music for two sections composed and performed by Keith Calmes |
| 2007 |
Tears of Joy, 19 minutes, 6 dancers, music: Arabian Fantasy composed by Danial Majoun from Appassionato,Beyond the Machine by Move D from Lush Life Electonica, Cloud Moss by Mickey Hart, La redecouverte from the film score Amelie, Kalandero from the CD Alegria by Cirque du Soleil
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| 2007 |
Keith Suite, 16 minutes, 6 dancers, music: composed by Keith Calmes performed live by Keith Calmes and Ryan Patrick Johnson |
| 2006 |
The Hans Project, 18 minutes, 6 dancers, music composed and performed live by Keith Calmes, Video projections Stan Sadowski in collaboration with A. Mulgrew |
| 2005 |
The Big Dance 2005, 15 minutes, 7 dancers, music: John Beltram "Soft Summer" part one; Angelique Kido "Iemanja" part two Sylk "When The Funk Hits The Fan" part three |
| 2005 |
Serenade to Eve After Rodin, a duet, 8 minutes, Music: Daniel Dorff performed by Musicians: Melinda Bowman (flute) and Keith Calmes (guitar)
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| 2005 |
Quiet Kissing, a duet, 6 minutes, music: Andrew Shapiro Musicians: Melinda Bowman (flute), Keith Calmes (guitar), Charles Fricker (marimba)
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| 2005 |
Three, a male trio, 4:30 minutes, Music: Astor Piazzolla's Deciso from the Tango Suite, Musicians: Melinda Bowman (flute), Keith Calmes (guitar), Charles Fricker (marimba, percussion)
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| 2004 |
Dance and Choir Project, 20 minutes, 7 dancers, original music by Andrew Bleckner, 5 live musicans & 45 children voices from St. Peter's and Greene St. Friends School
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| 2004 |
Three Ladies in Waiting, 20 minutes, a trio, site-specific work, in collaboration with videographer Carmella Vassor-Johnson, music by The Gotan Project "la revancha del tango"
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| 2003 |
The Lemon Lady, solo, 15minutes performance art work, music Marcelo Alvarez and Salvador Licitra Duetto, video created in collaboration with videographer Carmella Vassor-Johnson and A. Mulgrew, set 3500 lemons.
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| 2003 |
A Deconstruction of Degas, 11 minutes, 6 dancers, A collage of found sounds and excerpts from Abba Pater, Beethoven's "Moonlight Sonata" with voice by Jacqui Bowman, The Pink Panther, Hildegarde's Hypno Trance by P. Rabjohns
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| 2003 |
Ode to Ancient Voices, (Maypole Dance for Friends of Clark Park) , site-specific work, 11 minutes, 4 dancers
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| 2003 |
The Architecture of a Relationship, 4 minute duet assorted music, also pilot study for Dance for Camera project ZOOM in collaboration with videographer, Carmella Vassor-Johnson
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| 2002 |
Mahler, Mayhem and the Dresser(s), 35 minutes, 8 dancers, 6 sections, commissioned,
music: Mahler Symphony 3, 1st Movement, Bang on a Can Terry Riley in C, Carlos Paredes, Cancao Verdes Anos, Ennio Morricone Poem of a Woman, Brent Lewis Coyote Eyes, Mahler Symphony #3, 5th Movement.
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| 2002 |
The Opening Dance for the 10th Enterprise Awards Ceremony, 10 dancers, 4:30minutes, a commission, Music Enya, video and production by Visual Sound.
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| 2001 |
Opening Dance Narada, 5 minutes, 6 dancers, music: Inward Coil by Vas from In The Garden of Souls
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| 2001 |
The Dream Sequence, 16minutes
Sleep Dance, 5 dancers, music: Vegetarian Voodoo Soup Brent Lewis Earth Tribe Rhythms
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| 2001 |
Dream Stories Section One, 4 dancers , Text & performance by Matt Nelson, Valentine Aprile, Melissa Bessent and Joe Cicala
Section Two The Quartet, 4 dancers, to silence
Section Three The Duet, 3 dancers, music: Elgar Cello Concerto
Dream Story Two, 4 dancers, Text by Valentine Aprile
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| 2001 |
The Box, 8 minutes, 4 dancers, Sound score: Sounds of Frenzy, TV's Greatest Hits
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| 2001 |
The Conversation, 4 dancers, 2 minutes, Music: Veronique Gens Fauve: Apres un Reve
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| 2001 |
Bird/Man, a duet, 5 minutes, Music: R. Strauss Violin Concerto Sarah Chang Sawallisch
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| 2001 |
Invasive Interiors, a male duet, 5min. music: text with excerpts from Dhol Foundation
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| 2001 |
So Cool So Far So, 7 dancers, 4 minutes, Music by Chico Cesar Papo Cabeca
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| 2001 |
Faux Finale, 7 dancers, 4 minutes, music by Miriam Makeba Homeland
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| 2001 |
A Dance Song for Hope (September 2001), 11 performers, 5 minutes
Music by Tere Bina The Dhol Foundation
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| 2000 |
Dances for Imaginary Places, Barely There Mix, 60 min.site-specific dance, 8 performers, live music by Tom Church and natural sounds
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| 2000 |
Paper Waitress, a trio, 16 minutes, music by Mickey Hart, Zakir Hussain and Ustad Sultan Khan, Indian Ropeman, Gardel Tomo Y Obligo and Chinese Bamboo Flute Music
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| 1999 |
Unknown City, 30 minute work, developed in collaboration with Vida-Vida video projection & composer Peter Price, 4 performers, inflatable green set, and 60 yds of red fabric
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| 1998 |
A Homage to Rodin, 15 minutes, 4 dancers, a commission, composed and performed live on clarinet by Daniel Dorff
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| 1998 |
Projeckt Desire, 8 short dances 3-10 min in length, solos, duos, quartets for stage & specific sites inc. Re-Vamping the Bride, Jen & Joe's Tango, A Hat Too Big, The 2:58 Minute Quartet, Project Desire-The Girl Duet, Fancy Footwork, Small Talk & Exit to Utopia
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| 1997 |
Strange Tongues, 40 minute site-specific performance work for Parallax Pictures Studios, solos, duos and quartets for six dancer/performers music by Peter Price, Installation/Lighting by Vida,.
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| 1996 |
Project 2012, 20 minute work for 3 dancers, music-Peter Price, Video projection by Vida
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| 1996 |
Dances for the Timeline Exhibit, 3 dancers, 20 minutes, a commission for Borowsky Gallery, soundscore a collage mix of Art of Noise, A. Beleu, Ghostwriters, Celtic music & sounds
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| 1996 |
Wall Studies, 4 dancers, music/sound collage, 15 min.
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| 1996 |
Laughing Man, trio with live camera music by A.Beleu, 4 min.
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| 1995 |
The Flatland Project, 22 minutes, 6 dancers, original electronic music by Peter Price, video & slide projections by Vida Vida. There are four sections; three for the ensemble, one solo and a duet for video and music. Sections are The Mask Dance, A Passage in Time, Flesh-Text-Walk-Talk,, Another Reality
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| 1994 |
Flatland (part one), 20 minutes, 6 dancers, original electronic music by Peter Price, neon installation with overhead live video projections by Vida Vida. Costumes Kate Murphy. Sections are A View, The Inhabitants Thereof, The Female, Ways of Recognizing One Another, The Invasion of Color
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| 1994 |
IB, a duet, 8 minutes, music by Hispanic Traditions
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| 1994 |
An Experimental Night Out, 50 minutes, 4 dancers, site-specific for University City Arts League Sunday Nite Series, Original music by Peter Price and found music and sounds, includes of works for a studio space including Parallel Realities, The Wall and Fifty Ways to Stand at a Party
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| 1994 |
Stick Dance, version 2, 11 min. 6 dancers, soundscore sound of PVC piping
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| 1993 |
Dance for the Art of Dressing Exhibit, gallery commission 15 min. 3 dancers
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| 1993 |
Earthborne, outside dance performance installation, 3 dancers, soundscore, clay
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| 1993 |
Shift, 5 dancers, 15 minutes, assorted sound collage, political commentary
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| 1993 |
Rhumba in the Kitchen, gallery commission Syracuse NYC, 2 dancers, 10 min. "The Interview,” "Childhood Memories," "Solo for Carrie"
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| 1992 |
Physiology of Taste, duet, music by C. White with live soprano, set by Gillette, 10 min.
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| 1992 |
Roadblock, Part, Part 3, also the "Stickdance" 6 dancers, in collaboration with Mitchell Taylor Gillette, (painter-set designer/costumer) and Claude White, Composer
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| 1992 |
In-Fra-Structure, a dance for a renegade dwelling, International Sculpture Festival, 10 min., 5 dancers
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| 1992 |
Limbo, a solo for a woman and a chair, assorted sounds, 5 minutes
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| 1991 |
Roadblock, Part 1, 3-6 dancers and 3 trombones, music by White, set by Gillette 20 min.
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| 1991 |
Mouth, 4 dancers score by White, newspaper costumes by Gillette, 20 minutes
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| 1991 |
Five Very Short Solos, assorted sounds 10 minutes
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| 1990 |
Blindtrust, 5 dancers assorted sounds, 10 minutes
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| 1990 |
Tales of the Buffoon, Part 2, 6 dancers set/concept Gillette, music White 22 min
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| 1989 |
Tales of the Buffoon, Part 1, 6 dancers set/concept Gillette, music White 22 min
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| 1988 |
The Human Statistic, Part 2, 5 dancers, 20 minutes, music by Peter Price, Text by June Fortunato
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| 1987 |
Earth Planet Dances, 5 dancers, assorted music, 10 minutes
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| 1987 |
Flying Rhinerceri and other unfounded fears, solo, music by Price, 7 minutes
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| 1987 |
Collab 3, 7 dancers, text poetry by A. Grilikhes, fabric artist Lucretia Robbins, 50 min. "Slang-Walk-Talk,” "The Net Effect," "Totem"
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| 1986 |
Counting Backwards ..While Balancing in Precarious Positions, 3 dancers, 7minutes
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| 1986 |
Sub Surges, 5 dancers, electronic music, 5 minutes
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| 1986 |
Hard Facts and Stuffed Gardenias, 4 works 4-9 dancers, visuals by Sapareta
A Glimpse, While Waiting, Facing 9-5,
Counting Backwards while balancing in Precarious Positions
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| 1985 |
Facing 9-5, Version 1, 8 dancers, set figures by Sapareta, assorted music/sounds, 20 min.
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| 1984 |
Hoopdance, dance for 4 women and 18 hoops,15 minutes, assorted music
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| 1983 |
Spurts, 5 dancers, live percussion by Lou Abbott, 10 minutes
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| 1982 |
Racing, 5 dancers, music by Jarre, 12 minutes
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10th Anniversary
