|
| DANCE
FILMS AND DANCE FOR CAMERA PROJECTS |
| 2019 |
This Woman,(3 minutes) created in collaboration Carmella Vassor-Johnson and A. Mulgrew |
| 2018 |
The Iris Video, (90 seconds) created by A. Mulgrew, edited by Sasha Spassoff - - opening film for Strange Dreams |
| 2017 |
Frances, (2:30 minutes), created in collaboration Carmella Vassor-Johnson and A. Mulgrew from footage shot in 2010 |
| 2013 |
Video Story, 1943-1945
opening section of The Keepers Project in
collaboration with Carmella Vassor-Johnson |
| 2013 |
Video Stories AKA The Shadow Dance,
The Keepers Project, in collaboration with Carmella
Vassor-Johnson |
| 2012 |
The Earth, Dance for Camera
video for Dig in collaboration
with Carmella Vassor-Johnson. |
| 2011 |
25th Anniversary Retrospective
Documentary, an overview featuring Ms. Mulgrew's
choreography and rehearsal shots from Le Dada in
collaboration with videographer Stan Sadowski. |
| 2011 |
The Spirit of the Sanctuary,
a video on a loop featuring The Lighted Hat Lady from Le
Dada. |
| 2009 |
Links from SALT, 3:30 min.
stand alone Dance for Camera video in collaboration with
Carmella Vassor-Johnson |
| 2009 |
Salt, four (3 minute) dance
for camera clips in collaboration with Carmella
Vassor-Johnson |
| 2006 |
The Hans Project Video
excerpt (one minute) in collaboration with Stan Sadowski |
| 2006 |
A Retrospective, an overview
of 20 years of dancemaking,(8 minutes) in collaboration with
Stan Sadowski |
| 2004 |
Three Ladies in Waiting (4
minutes video excerpts) in conjunction with site work) in
collboration with Carmella-Vassor Johnson |
| 2003 |
Citrus Limon (4 minutes) in
collaboration with Carmella Vassor-Johnson at The School for
Jacob's Pillow choreography for the Screen Program. |
| 2001 |
The Kitchen Dance (3
minutes) in collaboration with Carmella Vassor-Johnson
during an artist in residence at The Yard, Chilmark, MA |
| 1993 |
Creativity Comcast
Documentary 30 minute documentary on Ms. Mulgrew's work |
| 1992 |
The Tales of the Buffoon, (6
minutes), commissioned by WHYY Channel 12 TV and PEW |
|
| WORKS
CHOREOGRAPHED /RESTAGED FOR SCHOOLS/COLLEGES |
| 2001 |
Penn State University Abington Campus, 11
dancers, 5minutes, commenting on 911 |
| 1999 |
Penn State University Abington Campus, E
Pluribus Unum, 10 dancers, 5 minutes |
| 1997 |
Governor's School of NJ, Strange
Tongues-Jacket Dance, 6 dancers, 4 minutes |
| 1986 |
University of the Arts Modern Dance Co., Facing
9-5, 10 dancers, 20 minutes |
|
|
CHOREOGRAPHY FOR THEATER |
| 1995 |
Brick Street Playhouse,
High Heel Feeling,
a musical for 3 men in drag |
|
|
CHOREOGRAPHY FOR THE COMMUNITY |
| 2006 |
Peoplehood Parade and Pageant,
two public works, 10 minutes, 12-15 performers |
|
|
| Choreography List
(2020-1982)
|
| 2020 |
Anne-Marie Mulgrew and Dancers Company's Beyond the Concrete is an experimental site-work created for a public space inspired by the urban architecture under 95 during the COVID pandemic. Rehearsals took place outside following COVID guidelines. Set to natural urban sounds, the work explored the interplay between the urban architecture and the dancers' reaction to the site and the world/times we live in. We needed to connect, collaborate, create while expressing hope and resilience for the future through the power and joy of dance. |
| 2019 |
From the Feminine Gaze is a collection of dances and films celebrating feminine power, grace, and whimsy conceived and choreographed by A. Mulgrew for six dancers, inspired by the 100th Anniversary of the passing of the 19th Amendment and current events. Dance works include In the Spirit of a quartet to Astor Piazzolla's "Citi Tango;" Quiet Power, a solo, to music by Ramin Djawadi; Zikr: The Time Before to music by Armand Amar: What, a solo, to Bach's "The Cello Song" by The Piano Guys with video by Francesca Costanzo from her larger work "The Eyes Project" 2019; Skirting, a sextet, to Steve Reich's music. The program included a new film, This Woman, created in collaboration with video artist Carmella Vassor- Johnson and A. Mulgrew |
| 2018 |
Strange Dreams: 30 Years Later 2018 is a multimedia work for seven dancers, colorful props, constructed costumes, a swing, and projections. Length is 48 minutes. The work tackles dream-like states - the sensations, memories, colors and sounds in a non-linear stream of consciousness format. Dreams appear, disappear, and continue to haunt the dreamer who questions the logic of it all. Strange Dreams is a reaction to the political and social realities we face today and ones need to dream, heal and celebrate the resilience and joyfulness of the human spirit. Sections included: The Opener (Dream Swing) Music: Relaxing Water Sounds; Cathedral Dreams: Music: "Ancient Gusli North Ambient Soundscapes" by Sadko; Interlude One Music: Gothic Church Bells Sounds; The Mirage Music:"Renaissance Atmospheric Music" by The Sacred Order; A Prelude of Sorts Music:"Kozatskty 'til You Dropsky" by Shirim; Interlude Two Music: PetRUality: "Infinity of Consciousness;" Forward/Backwards Music: Discovering China Li Bai: China's Immortal Poet; Sad Cat Music: Sad Cat Diary; L'Amour Music: "Tango Poema 1925" Francisco Canaro; Three Women Three Bowls Music:"La Laguna" by Mike Dowling & David Lang; Inflatable Dreams Music: "Summertime" by Janis Joplin,"Old Ticket Booth" by Brandon & Derek Feichter , "Exciting Baroque Music" most likely by Vivaldi, and silence; The Finale ""A Narnian Lullaby on Dudek" by Harry Gregson-Williams and "When You Are Old" by WB Yeats. |
| 2017 |
A View from Within a
site-specific traveling 55-minute dancework conceived by
Anne-Marie Mulgrew for 14 performers and an assorted
soundscore. This work took audiences on a journey from the
outside grounds to the gallery spaces of The Ryerss Mansion
and Museum culminating with an audience participation dance
on the front porch, presented by the City of Philadelphia's
Office of Arts, Culture and the Creative Economy,
Performances in Public Spaces 2017. |
| 2017 |
One Minute Dances for Small Spaces
(2017) a premiere (AKA Postage Stamp Dances)
choreographed by Anne-Marie Mulgrew for 5 dancers 18
minutes. This 16-section work raises questions about
duration and space work and was also informed by today's
fast-paced technology-driven world where we are bombarded by
images, distractions and sensations resulting in short
attention spans and quick decisions. Introduction Text by
Anne-Marie Mulgrew; Sections are: The Tens Music:
One Minute Evolving Soundscape; The Slow Waltz
Music: 435 A Soundtrack for Every Minute; Adagio
Music: April 26, 2015; Twitchy Music: Dubness Wash
Soundscape; The Couple Music: One Minute Composition
Sean B; The Sandwich Music: Bill Makes a Sandwich; Quartet
1 Music: Broke Dub; Fast Dance Music: Frantic
Music Composition 'audio jump'; The Umbrella Music:
Twin Lakes Soundscape Project; Halloween Music: Secret Word
Soundscape; Random Music: One Minute Bell Ring; The
Duet Music: Desalento One Minute Short Film; Trace
Music: VEXTA Neon Death Dreams; The Trio Music: Star
Trek: Beyond Music Trailer; Shards Slow Heartbeat
Sound Effect ; The Resolution Music: One Minute
Mozart. |
| 2016 |
The Prelude, an 11-minute
work for eight performers, references the notion of
'Anywhere' featuring glimpses of selected AMM & DCO's
site works and characters from 1997 re-imagined for Christ
Church Neighborhood House. Direction/choreography is by
Anne-Marie Mulgrew with input from the performers. Music is
by Adam Vidiksis. |
| 2016 |
Anywhere/The Big 30 is a
30-minute work for five dancers and three musicians. This
abstract dance is informed by the ambiances and architecture
of the city which has nurtured Ms. Mulgrew's choreographic
creations for 30 years. It is developed in collaboration
with Adam Vidiksis (composer) and Carmella Vassor- Johnson
(video artist). The concept of 30 is the departure point. It
examines one's sense of time and space. The work aspires to
look forward while reflecting on the past fusing dance,
music, new technologies and film. Ideas explore sensations,
memories and observations about one's journey over time, the
individual and the community, the relationships forged
within a group, and how one is informed and impacted by the
world we live in. |
| 2016 |
30 Moves (2016) The Finale s
a 6:30 minute dance that celebrates original company member
Joe Cicala in his swan song performed by seven dancers. The
structure was based on 30 gestures and using accumulation.
Choreography is by Anne-Marie Mulgrew to music by Claude
Challe and Steeve Remix |
| 2015 |
The Next Chapter 2015, a 15
minute work, is a suite of four dances choreographed by
Anne-Marie Mulgrew for seven dancers. This contemporary work
explores states of being and sensations using the music as a
point of departure Each section is built on a word - lush,
insist, relentless and is set to music by Simon Wolf The
Box, Zoe Keating We Insist, Mason Bates Mothership,
Pendulum Experimental Music |
| 2015 |
The Red Riding Hood Project (RRHP)
2015, a 17 minute work, was created in
collaboration with Rob Solomon (visual
artist/concept/direction)l; Adam Vidiksis (composer) ;
Anne-Marie Mulgrew (choreographer;) and Ted Knighton
(videographer) for seven dancers in red capes and hoods.
RRHP is based on the timeless tale with contemporary twists
i.e. instead of one red riding hood -- seven dancers inhabit
the psyche of a young girl who moves from innocence to
self-awareness. |
| 2015 |
From the Vault 2015, a 15
minute work for seven dancers, is whimsical blanc-on-blanc
work. Choreographer Anne-Marie Mulgrew revisits concepts,
ideas, props and costumes from her previous dances creating
a new piece that comments on gender and the creative
process. Set to a sound mix of Experimental Music (camels,
bells, sand, children playing, and sounds), 10 Strange Facts
about Dreaming and Classical Guitar & Hip Hop by Vadim
Brunell, the work features females dancers in white costumes
and wigs and men bare chested in white pants. |
| 2014 |
World of Dreams 2014, Based
on themes of identity, dreams, and desires, World of
Dreams is a continuation of the emotionally-charged Dig
2012 and The Keepers Project 2013 by
collaborators Anne-Marie Mulgrew (choreographer/concept)
Carmella Vassor Johnson (video art). In this 23 minute work
dance for seven dancers, the departure point revolved around
the questions: What is and what makes an American? Is the
American dream alive, breathing, misplaced, or has it been
absorbed and impacted by the world we all live in? Audiences
will be taken on a non-linear adventure through a series of
dance vignettes sparking memories and sensations from the
past and present. Sections included:
The Journey-leaving ... arriving Music:
Shiva in Exile Earth
Tones; The Dance Hall Music:
Harry James; So
what is an American? Sound:
Text authors unknown; Relentlessness
Music:
Mason Bates Mothership And Then
Sound/Music:
Sonic Footprints; Hopes, Dreams,
Aspirations Music: Requiem for a Dream Clint Mansell
|
| 2013 |
The Keepers Project, a
70-minute full-length multi-media dance theater work, in
collaboration with video artist Carmella
Vassor-Vassor-Johnson for seven dancer/performers and guest
performers in video sections. Part one is Dig 2012
and Part two is The Keeper. Props include
suitcases and clothing, cabbages, personal family mementos,
burlap sacks and a silver bowl. The Keeper
sections are Video Story - 1943-45 Letters from Robert
Mulgrew to Anna Bodalski read by Robert Mulgrew, 70 years
later; Fleeing and Reuniting to a soundscape of war sounds
and Mein Shtetele Betz; Voiceover: The war is over; A
Tribute to Ancestors preluded by a poem: Ancestors by
Anonymous and set to Amazing Drum and Footprints in the
Sand; Video Stories by Jean Whitehead, Ruth Metzger, Rose
Marie De Angelis; I Remember set to a poem written by
Anne-Marie Mulgrew inspired by The Keepers senior
workshops with music by Zelda Ocarina Songs of Storms on
Marimba; Reflections set to Improvised Sound and Creepy
Music Box; and The Finale to music by Aqua Vitae Future
World Music. |
| 2012 |
Dig, a 35 minute dance
theater work created in collaboration with Carmella
Vassor-Johnson for five core dancers and three additional
performers. Dig examines family roots and history
by delving into universal themes of loss, hope and identity.
Sections included: The Opening to music by Chiel
Meijering's Danzai; Video Stories; Three Women to DJ
Kypski and the Matangi String Quartet; The Polish Tango
to Tadeus Faliszewski Nietoperze; In Deep Sadness-Hope, to
Never Seen Him Back by Chiel Meijering; The Earth - Dance
for Camera; Falling-Surrendering to Internal Clock by
Monolake; A Touch of Ireland, to Celtic Music - A Tale;
Remembrances to Follow the Whisperer (part 2) by Chiel
Meijering and Giving Back to the Earth to Bleach OJ3. |
| 2011 |
Le Dada Va Gaga dans 2011, a
full-length site-specific dance video work designed for the
Rotunda's Sanctuary space created in collaboration with
Carmella Vassor-Johnson for a cast of 8 dancers and 6
performers. Sections included: The Procession to bell music;
Video Installation One (The Spirit of the Sanctuary);
Windows and Railings to La Vie en Rose by Louis Armstrong;
The Busker to Reve D'Accordordeonise; The Pew to Chinese
Bubbles by Emmanuel Santarrromana; A Duchampian Moment; Two
Worlds to Estudio Nights in Spain by Francisco Tarrega;
Parsian Moments to Les Jours Tristes by Tann Tiersen; The
Conversation; Salute to the Chandelier to Sheva by Ashrey
Ha'ish; Another Homage to Degas to Josu Gallastegui's
Ballet Music; Deux Chapeaux pour Deux Femmes to The Box
by Simon Wolfe; Stomp, Bang, Slap and Sing to sounds made by
dancers and The Finale to Frere Jacques. |
| 2010 |
Burn, six dancers, 15
minutes, 5 sections, music: Bach , Dolphina, Philip Glass
and assorted sounds |
| 2009 |
Salt, Part 2, 8 dancers, 38
minutes 3 dance sections & 5 video clips, music:
Dolphina Dance Trance, Il Duetto Je Croise Entendre Encore
from Les Pecheurs de Perles George Bizet/Eugene Cormon,
Michel Carre, Vangelis Ignacio-video clips Tibetan Salt
Fields, Surges, The Tasting , A Private Moment and Links
created in collaboration with Carmella Vassor-Johnson. |
| 2008 |
Salt, 23 minutes, 5 dancers,
music: Matt Haimovitz Trans, Prem Joshua Funky Guru, Elliot
Sharp Twenty Below (excerpt), Rick Wakeman Seahorse, Biddhu
Orchestra Eastern Journey, Heiner Goebbels La Jalousie
(excerpt) and live sound by A. Mulgrew |
| 2007 |
The Hidden River Project, 55
minutes, 19 performers, site-specific work, music: natural
sounds and live music for two sections composed and
performed by Keith Calmes |
| 2007 |
Tears of Joy, 19 minutes, 6
dancers, music: Arabian Fantasy composed by Danial Majoun
from Appassionato,Beyond the Machine by Move D from Lush
Life Electonica, Cloud Moss by Mickey Hart, La redecouverte
from the film score Amelie, Kalandero from the CD Alegria by
Cirque du Soleil |
| 2007 |
Keith Suite, 16 minutes, 6
dancers, music: composed by Keith Calmes performed live by
Keith Calmes and Ryan Patrick Johnson |
| 2006 |
The Hans Project, 18
minutes, 6 dancers, music composed and performed live by
Keith Calmes, Video projections Stan Sadowski in
collaboration with A. Mulgrew |
| 2005 |
The Big Dance 2005, 15
minutes, 7 dancers, music: John Beltram "Soft Summer" part
one; Angelique Kido "Iemanja" part two Sylk "When The Funk
Hits The Fan" part three |
| 2005 |
Serenade to Eve After Rodin,
a duet, 8 minutes, Music: Daniel Dorff performed by
Musicians: Melinda Bowman (flute) and Keith Calmes (guitar)
|
| 2005 |
Quiet Kissing, a duet, 6
minutes, music: Andrew Shapiro Musicians: Melinda Bowman
(flute), Keith Calmes (guitar), Charles Fricker (marimba) |
| 2005 |
Three, a male trio, 4:30
minutes, Music: Astor Piazzolla's Deciso from the Tango
Suite, Musicians: Melinda Bowman (flute), Keith Calmes
(guitar), Charles Fricker (marimba, percussion) |
| 2004 |
Dance and Choir Project, 20
minutes, 7 dancers, original music by Andrew Bleckner, 5
live musicans & 45 children voices from St. Peter's and
Greene St. Friends School |
| 2004 |
Three Ladies in Waiting, 20
minutes, a trio, site-specific work, in collaboration with
videographer Carmella Vassor-Johnson, music by The Gotan
Project "la revancha del tango" |
| 2003 |
The Lemon Lady, solo,
15minutes performance art work, music Marcelo Alvarez and
Salvador Licitra Duetto, video created in collaboration with
videographer Carmella Vassor-Johnson and A. Mulgrew, set
3500 lemons. |
| 2003 |
A Deconstruction of Degas,
11 minutes, 6 dancers, A collage of found sounds and
excerpts from Abba Pater, Beethoven's "Moonlight Sonata"
with voice by Jacqui Bowman, The Pink Panther, Hildegarde's
Hypno Trance by P. Rabjohns |
| 2003 |
Ode to Ancient Voices,
(Maypole Dance for Friends of Clark Park) , site-specific
work, 11 minutes, 4 dancers |
| 2003 |
The Architecture of a Relationship,
4 minute duet assorted music, also pilot study for Dance for
Camera project ZOOM in collaboration with videographer,
Carmella Vassor-Johnson |
| 2002 |
Mahler, Mayhem and the Dresser(s),
35 minutes, 8 dancers, 6 sections, commissioned, music:
Mahler Symphony 3, 1st Movement, Bang on a Can Terry Riley
in C, Carlos Paredes, Cancao Verdes Anos, Ennio Morricone
Poem of a Woman, Brent Lewis Coyote Eyes, Mahler Symphony
#3, 5th Movement. |
| 2002 |
The Opening Dance for the 10th
Enterprise Awards Ceremony, 10 dancers,
4:30minutes, a commission, Music Enya, video and production
by Visual Sound. |
| 2001 |
Opening Dance Narada, 5
minutes, 6 dancers, music: Inward Coil by Vas from In The
Garden of Souls |
| 2001 |
The Dream Sequence,
16minutes
Sleep Dance, 5 dancers, music: Vegetarian
Voodoo Soup Brent Lewis Earth Tribe Rhythms |
| 2001 |
Dream Stories Section
One, 4 dancers , Text & performance by Matt
Nelson, Valentine Aprile, Melissa Bessent and Joe Cicala
Section Two The Quartet, 4 dancers, to silence
Section Three The Duet, 3 dancers, music: Elgar Cello
Concerto
Dream Story Two, 4 dancers, Text by
Valentine Aprile |
| 2001 |
The Box, 8 minutes, 4
dancers, Sound score: Sounds of Frenzy, TV's Greatest Hits |
| 2001 |
The Conversation, 4 dancers,
2 minutes, Music: Veronique Gens Fauve: Apres un Reve |
| 2001 |
Bird/Man, a duet, 5 minutes,
Music: R. Strauss Violin Concerto Sarah Chang Sawallisch |
| 2001 |
Invasive Interiors, a male
duet, 5min. music: text with excerpts from Dhol Foundation |
| 2001 |
So Cool So Far So, 7
dancers, 4 minutes, Music by Chico Cesar Papo Cabeca |
| 2001 |
Faux Finale, 7 dancers, 4
minutes, music by Miriam Makeba Homeland |
| 2001 |
A Dance Song for Hope
(September 2001), 11 performers, 5 minutes Music by Tere
Bina The Dhol Foundation |
| 2000 |
Dances for Imaginary Places, Barely
There Mix, 60 min.site-specific dance, 8
performers, live music by Tom Church and natural sounds |
| 2000 |
Paper Waitress, a trio, 16
minutes, music by Mickey Hart, Zakir Hussain and Ustad
Sultan Khan, Indian Ropeman, Gardel Tomo Y Obligo and
Chinese Bamboo Flute Music |
| 1999 |
Unknown City, 30 minute
work, developed in collaboration with Vida-Vida video
projection & composer Peter Price, 4 performers,
inflatable green set, and 60 yds of red fabric |
| 1998 |
A Homage to Rodin, 15
minutes, 4 dancers, a commission, composed and performed
live on clarinet by Daniel Dorff |
| 1998 |
Projeckt Desire, 8 short
dances 3-10 min in length, solos, duos, quartets for stage
& specific sites inc. Re-Vamping the Bride, Jen
& Joe's Tango, A Hat Too Big, The 2:58 Minute Quartet,
Project Desire-The Girl Duet, Fancy Footwork, Small Talk
& Exit to Utopia |
| 1997 |
Strange Tongues, 40 minute
site-specific performance work for Parallax Pictures
Studios, solos, duos and quartets for six dancer/performers
music by Peter Price, Installation/Lighting by Vida,. |
| 1996 |
Project 2012, 20 minute work
for 3 dancers, music-Peter Price, Video projection by Vida |
| 1996 |
Dances for the Timeline Exhibit,
3 dancers, 20 minutes, a commission for Borowsky Gallery,
soundscore a collage mix of Art of Noise, A. Beleu,
Ghostwriters, Celtic music & sounds |
| 1996 |
Wall Studies, 4 dancers,
music/sound collage, 15 min. |
| 1996 |
Laughing Man, trio with live
camera music by A.Beleu, 4 min. |
| 1995 |
The Flatland Project, 22
minutes, 6 dancers, original electronic music by Peter
Price, video & slide projections by Vida Vida. There are
four sections; three for the ensemble, one solo and a duet
for video and music. Sections are The Mask Dance, A
Passage in Time, Flesh-Text-Walk-Talk,, Another Reality
|
| 1994 |
Flatland (part one), 20
minutes, 6 dancers, original electronic music by Peter
Price, neon installation with overhead live video
projections by Vida Vida. Costumes Kate Murphy. Sections are
A View, The Inhabitants Thereof, The Female, Ways of
Recognizing One Another, The Invasion of Color |
| 1994 |
IB, a duet, 8 minutes, music by Hispanic
Traditions |
| 1994 |
An Experimental Night Out,
50 minutes, 4 dancers, site-specific for University City
Arts League Sunday Nite Series, Original music by Peter
Price and found music and sounds, includes of works for a
studio space including Parallel Realities, The Wall
and Fifty Ways to Stand at a Party |
| 1994 |
Stick Dance, version 2, 11
min. 6 dancers, soundscore sound of PVC piping |
| 1993 |
Dance for the Art of Dressing Exhibit,
gallery commission 15 min. 3 dancers |
| 1993 |
Earthborne, outside dance
performance installation, 3 dancers, soundscore, clay |
| 1993 |
Shift, 5 dancers, 15
minutes, assorted sound collage, political commentary |
| 1993 |
Rhumba in the Kitchen,
gallery commission Syracuse NYC, 2 dancers, 10 min. The
Interview, Childhood Memories, Solo for Carrie |
| 1992 |
Physiology of Taste, duet,
music by C. White with live soprano, set by Gillette, 10
min. |
| 1992 |
Roadblock, Part, Part 3,
also the "Stickdance" 6 dancers, in collaboration with
Mitchell Taylor Gillette, (painter-set designer/costumer)
and Claude White, Composer |
| 1992 |
In-Fra-Structure, a dance
for a renegade dwelling, International Sculpture Festival,
10 min., 5 dancers |
| 1992 |
Limbo, a solo for a woman
and a chair, assorted sounds, 5 minutes |
| 1991 |
Roadblock, Part 1, 3-6
dancers and 3 trombones, music by White, set by Gillette 20
min. |
| 1991 |
Mouth, 4 dancers score by
White, newspaper costumes by Gillette, 20 minutes |
| 1991 |
Five Very Short Solos,
assorted sounds 10 minutes |
| 1990 |
Blindtrust, 5 dancers
assorted sounds, 10 minutes |
| 1990 |
Tales of the Buffoon, Part 2,
6 dancers set/concept Gillette, music White 22 min |
| 1989 |
Tales of the Buffoon, Part 1,
6 dancers set/concept Gillette, music White 22 min |
| 1988 |
The Human Statistic, Part 2,
5 dancers, 20 minutes, music by Peter Price, Text by June
Fortunato |
| 1987 |
Earth Planet Dances, 5
dancers, assorted music, 10 minutes |
| 1987 |
Flying Rhinerceri and other unfounded
fears, solo, music by Price, 7 minutes |
| 1987 |
Collab 3, 7 dancers, text
poetry by A. Grilikhes, fabric artist Lucretia Robbins, 50
min. Slang-Walk-Talk, The Net Effect, Totem |
| 1986 |
Counting Backwards While Balancing
in Precarious Positions, 3 dancers, 7minutes |
| 1986 |
Sub Surges, 5 dancers,
electronic music, 5 minutes |
| 1986 |
Hard Facts and Stuffed Gardenias,
4 works 4-9 dancers, visuals by Sapareta
A Glimpse, While Waiting,Facing 9-5, Counting
Backwards while balancing in Precarious Positions
|
| 1985 |
Facing 9-5, Version 1, 8
dancers, set figures by Sapareta, assorted music/sounds, 20
min. |
| 1984 |
Hoopdance, dance for 4 women
and 18 hoops,15 minutes, assorted music |
| 1983 |
Spurts, 5 dancers, live
percussion by Lou Abbott, 10 minutes |
| 1982 |
Racing, 5 dancers, music by
Jarre, 12 minutes |
|
21 Anniversary
